Yusuf Islam, globally recognized as the musical icon Cat Stevens, is set to unveil his comprehensive memoir, \"Cat on the Road to Findout.\" This eagerly anticipated publication offers an in-depth exploration of his remarkable life, tracing his spiritual evolution, his profound conversion to Islam, his nearly three-decade departure from the mainstream music scene, and his eventual resurgence into the world of melodies. The book promises to shed light on pivotal moments that shaped his destiny, including life-altering near-death experiences, his quest for divine truth, and introspective reflections on both his celebrated musical contributions and the more contentious periods of his past.

Islam's path to spiritual enlightenment was marked by several critical junctures. His first brush with mortality occurred in his youth, a narrow escape from a fall while leaping across rooftops. A more serious encounter followed at the age of 20, when he was diagnosed with tuberculosis, an illness that prompted him to seek deeper meaning in life. However, it was a near-drowning incident in the Pacific Ocean in 1975, shortly after his 27th birthday, that proved to be a profound turning point. Caught in a powerful current, he made a solemn vow to dedicate his life to God if he survived. A timely wave propelled him to safety, solidifying his commitment to a spiritual quest.

This life-altering event propelled Islam further into his spiritual exploration. Having already delved into Buddhist philosophies and experimented with numerology and yoga during his recovery from tuberculosis, he was receptive to new insights. A few months after his ocean ordeal, his brother introduced him to the Quran, a text that immediately resonated with him. He recalled being so engrossed in its teachings that he would read it covertly during tours, fully aware of the transformative impact it would have on his life and career. This spiritual awakening culminated in his conversion to Islam in 1977 and his legal name change to Yusuf Islam in 1978, marking a significant shift away from his identity as Cat Stevens.

His musical career subsequently entered a prolonged hiatus. After releasing \"Back to Earth\" as his final album under the Cat Stevens moniker, he largely abstained from creating music with instruments other than drums for nearly 30 years. This decision was influenced by his interpretation of certain religious tracts that suggested music was forbidden in Islam, a belief he candidly admits in his memoir instilled fear in him. He even sold most of his musical equipment at auction, donating the proceeds to charity, a testament to his unwavering commitment to his new faith.

The catalyst for his return to music arrived in 2002 when his son, Muhammad, acquired a black Yamaha guitar. Muhammad, who had always harbored an interest in rock music, even surprising his father with a Metallica cassette during a trip to Kosovo, brought the guitar on a family vacation. Yusuf Islam, upon discovering the instrument, instinctively picked it up and played. It was his younger daughter, Aminah, who then requested a song from his 1967 album, \"New Masters,\" prompting him to sing while playing for the first time in years. Muhammad recounts his father's immediate creative spark, noting that a new song was penned the very next day.

This re-engagement with the guitar marked the beginning of Yusuf Islam's renewed musical journey. While he had previously ventured into spoken-word and traditional Islamic hymns, his son's guitar provided the impetus for a full-fledged return to songwriting and recording. Since then, he has released numerous albums, collaborated with esteemed artists like Dolly Parton and Paul McCartney, and overseen the release of several compilations and 50th-anniversary box sets of his classic albums. His return has allowed him to express his deep-seated beliefs and emotions through song, a medium he considers his most authentic form of communication.

Yusuf Islam's journey has also involved advocating for his personal interpretation of his faith. He intentionally avoided aligning with any specific sect of Sunni Islam, emphasizing a message of unity. Over time, he developed a nuanced understanding that allowed him to reconcile his artistic passion with his religious convictions. Recognizing the ongoing debate surrounding music within Islam, he concluded that he could once again create music while maintaining his spiritual integrity. This led to his 2014 book, \"Why I Still Carry a Guitar,\" which directly addressed the Muslim community, and ultimately paved the way for his current memoir, \"Cat on the Road to Findout.\" He acknowledges the initial apprehension from some within the Muslim community regarding his re-engagement with music but firmly believes his art transcends mere talent and self-promotion.

Reflecting on his past, Islam candidly addresses his mistakes, including his controversial remarks regarding the fatwa against Salman Rushdie in 1989 and his earlier struggles with romantic jealousy. However, he also highlights his achievements, such as securing government funding for his Islamic schools and his efforts to promote peace, even those that did not yield the desired outcomes. He views global challenges, like the ongoing conflict in Gaza, as profound tests of humanity, emphasizing that future generations will not forget the injustices they witness. He now finds solace in the wisdom gained from his experiences, recognizing that his early career was marked by a youthful lack of understanding. Having found a solid foundation in his beliefs, he feels more confident in sharing his truth with the world, asserting that his music is a reflection of this profound journey of self-discovery and spiritual growth.