American filmmaker Wes Anderson, who resides and produces films in Europe, found himself at the center of discussions during the Cannes Film Festival regarding potential tariffs on foreign films proposed by Donald Trump. While addressing reporters, Anderson expressed bewilderment over the implications of such a tariff. Joined by an ensemble cast including Benicio del Toro, Benedict Cumberbatch, and Riz Ahmed, Anderson also discussed his creative process and the unique universe of his films. The press conference followed the premiere of "The Phoenician Scheme," his latest feature to compete in Cannes.

In response to inquiries about the proposed tariffs, Anderson remarked on their complexity, questioning how one might apply such measures to cinematic works. His remarks were lighthearted yet underscored a lack of clarity around the issue. Turning the conversation toward his filmmaking style, Anderson acknowledged the recurring themes in his movies but insisted each project was distinct for him. Cast members echoed this sentiment, highlighting the intricate balance required to perform within Anderson's meticulously crafted worlds.

Delving deeper into the heart of the discussion, Benicio del Toro elaborated on his character Zsa-zsa Korda, a wealthy individual devising a scheme to safeguard his fortune while ensuring his daughter inherits it. Del Toro shared insights into Anderson's direction, emphasizing the innovative approach that challenges conventional acting techniques. For instance, he recounted a scene shot in slow motion requiring rapid dialogue delivery, creating an entirely new cinematic experience.

Benedict Cumberbatch, reflecting on his past collaboration with Anderson in the Oscar-winning short "The Wonderful Story of Henry Sugar," described the director's set as a place fostering creativity. He noted the dual nature of performing in Anderson's films—both constraining and liberating, demanding actors to strip away preconceived notions of their characters. Meanwhile, Riz Ahmed captured the dreamlike essence of working within this environment, where the vividness of characters and scenarios blurs the line between reality and imagination.

Anderson concluded the press conference by teasing future projects, collaborating once again with Roman Coppola and Richard Ayoade. In a playful moment, he pledged to reunite with Michael Cera for another project, sealing the promise with handshakes. Notably, Bill Murray made a silent appearance, adding a touch of mystery to the proceedings.

"The Phoenician Scheme" marks Anderson's fourth entry into Cannes competition, following previous successes like "Moonrise Kingdom." Critics have hailed this film as one of his most ambitious ventures, blending elements of humor, profundity, and visual charm. Through this lens, Anderson continues to push boundaries, crafting narratives that resonate globally despite geopolitical uncertainties.