The Sad Theatre Kids of Right-Wing Media

Sep 16, 2024 at 12:00 AM
mywordfix

The Theatrical Facade of Right-Wing Media Personalities

In recent weeks, the right-wing media landscape has been rocked by a series of controversies, from accusations of Russian ties to a fawning interview with a Holocaust denier. These incidents have raised questions about the true nature of these cultural warriors – are they genuine ideologues or merely theatrical performers? This article delves into the surprising similarities between right-wing media personalities and theatre kids, exploring the performative nature of their political rhetoric and the underlying motivations that drive them.

Unmasking the Theatrical Facade of Right-Wing Media Personalities

The Diva Mentality of Right-Wing Pundits

Beneath the veneer of right-wing punditry lies a surprising truth: many of these media personalities are, in fact, theatre kids at heart. Like any diva, they are vulnerable to flattery and will accept praise from anyone, even white supremacists. Their weakness is the same as any prima donna – tell them they're a big fan, and they'll melt like silly putty in your hands. This is the case with Tucker Carlson, a self-proclaimed "theatre kid" who is more concerned with putting on a show than engaging in genuine political discourse.

The Similarities Between Thespians and Talking Heads

The parallels between the world of theatre and the realm of cable news are striking. Both professions thrive on the same elements: Lights! Camera! Action! There's stage fright, tubs of cold cream for easy greasepaint removal, and scripts loaded into teleprompters. After the show, there are celebrations and trips to the bar. Both groups take themselves seriously, treating their roles with great regard, whether it's Hamlet or the Great Masters of journalism.

The Greenroom Camaraderie of Right-Wing Personalities

The author's own experience as a pundit on Fox News provided a unique insider's perspective on the world of right-wing media. In the greenroom, the energy was palpable, with hosts and guests alike anxiously waiting for their cue to go on air. The author observed a surprising camaraderie among these personalities, who were often giddy and vulnerable backstage, in stark contrast to the aggressive personas they projected on screen.

The Performative Nature of Right-Wing Rhetoric

The author argues that for the most part, right-wing media personalities are not deep thinkers, but rather "show people, carnies, extremely well-paid bullshit artists." They are actors, playing a role and reading words they often forget the meaning of. Their primary motivation is to intimidate the opposition, using a combination of costumes, artifice, and carefully crafted personas to razzle-dazzle their conservative audience.

The Exceptions to the Theatre Kid Rule

Not all right-wing personalities fit the theatre kid mold. The author notes that figures like former national security adviser John Bolton and Proud Boys founder Gavin McInnes are true believers, lacking the theatrical flair of their counterparts. These individuals are more honest in their convictions, even if their views are equally concerning.

The Allure of the Spotlight and the Perils of Selling Out

The author's own experience as a liberal pundit on Fox News highlights the seductive nature of the media spotlight. The free pesto and mozzarella sandwiches, the black SUV rides, and the backstage camaraderie were all part of the allure. However, the author acknowledges the moral quandary of participating in a system that promotes harmful rhetoric, ultimately concluding that the right-wing media landscape has become too dangerous to engage with.