Nikon has made significant strides in the cinema camera market by introducing Z-mount versions of two popular RED cameras, the V-Raptor and Komodo. This move comes alongside the launch of Nikon's first cine lens, the Nikkor Z 28-135mm F/4 PZ, designed specifically for filmmaking. Since acquiring RED Digital Cameras in March 2024, Nikon has rapidly integrated RED technology into its product lineup, impacting both pricing and compatibility. The new Z-mount versions of these cameras now offer seamless integration with Nikon's extensive range of lenses, making them more accessible to filmmakers who prefer Nikon optics. Additionally, Nikon has reduced prices on select RED cameras, further enhancing their appeal to independent filmmakers.

The introduction of Z-mount versions of the RED V-Raptor and Komodo marks a pivotal shift in the cinema camera industry. Previously, the RED Komodo was only available with Canon's RF-mount, but Nikon's acquisition has changed this dynamic. Now, users can opt for Nikon's robust Z-mount system, which offers improved autofocus capabilities and compatibility with a wider array of lenses. The Nikkor Z 28-135mm F/4 PZ is a prime example of Nikon's commitment to expanding its presence in the cinematic world. This versatile zoom lens is optimized for gimbal use and includes cine-specific features, priced at $2,596.95 / £2499, with sales starting in April 2025.

Moreover, Nikon's influence extends beyond just hardware. In September 2024, Nikon slashed prices on RED Komodo 6K bundles by up to $3,000, making these high-end cameras more affordable for professional filmmakers. For instance, the Komodo 6K Camera Production Pack now costs $11,995, down from $14,995. The RED Komodo 6K with Z-mount starts at $6,995 (around £5,600), while the RED V-Raptor 8K is priced at $29,995 (approximately £24,000). Nikon has also simplified RED's brand name from "RED Digital Cameras" to simply "RED," aligning it with common usage.

In addition to benefiting RED products, Nikon's own cameras have seen enhancements through RED technology. Four RED LUTs color profiles are now available for Nikon's mirrorless models, including the Z6 III, Z8, and Zf, as well as certain DSLRs like the D780. These profiles, co-developed with cinema colorist Eric Weidt, allow Nikon users to stylize their N-Log video footage into Rec.709 color using RED's Film Bias, Film Bias Bleach Bypass, Film Bias Offset, and Achromic settings.

Nikon's acquisition of RED has not only expanded its offerings in the cinema camera market but has also brought about tangible benefits for both RED and Nikon users. With continued innovation and potential future developments, the collaboration between these two brands promises exciting advancements in videography and cinematography tools. The integration of RED technology into Nikon's ecosystem signals a promising future for filmmakers and photographers alike, setting the stage for further innovations in the coming years.