Lani Asunción's journey from a discouraged psychology student to a thriving interdisciplinary artist is nothing short of inspiring. Initially deterred by the bureaucratic challenges in healthcare, Asunción found solace and purpose in art. Today, they create rich, mystical installations and performances that delve into complex issues such as climate change and colonialism. One of their notable works, "SONG/LAND/SEA," features an etched brass bowl predicting Boston's sea level rise by 2070. With numerous exhibitions and performances scheduled, Asunción stands out as one of Boston's most active artists. Their upcoming performance at Tufts University will explore historical ties between Boston and Hawaii, reflecting on themes of colonization and cultural healing.

From Psychology to Art: A Transformative Journey

Lani Asunción's career trajectory took an unexpected turn when they realized the limitations of pursuing a counseling career due to healthcare bureaucracy. Instead, they immersed themselves in studio art classes, discovering a passion for creating meaningful art. This shift allowed them to channel their desire to help people through artistic expression. Growing up in diverse locations like Hawaii, Tennessee, and Okinawa, Japan, Asunción's multifaceted background informs their work, which often addresses social and environmental issues. Now based in Boston, Asunción uses art commissions, grants, and teaching to sustain their practice while continuing to explore deep research-based projects.

Asunción's transition from psychology to art was not just a change in profession but a profound realization of how they could make a difference in their community. They emphasize the importance of intentionality in their work, whether it involves restoring land or fostering cultural and community healing. By engaging with various forms of restoration, Asunción aims to address historical injustices and promote healing. Their studio is a testament to this dedication, filled with past, present, and future projects that reflect their commitment to blending art and activism. From altering games to reflect Hawaiian history to preparing costumes for performances, each piece tells a story of resilience and transformation.

Research-Driven Art: Unpacking Complex Themes

Asunción's approach to art is deeply rooted in extensive research, particularly focusing on historical and environmental narratives. For their upcoming performance at Tufts University, they are delving into the archives of the Mobius Artists Group and the diaries of Queen Liliuokalani of Hawaii. This meticulous research allows them to connect historical events with contemporary issues, providing a nuanced perspective on colonization and its lasting impacts. Through installations and performances, Asunción seeks to understand and express these connections in innovative ways, ensuring that their work resonates with both scholars and the general public.

The process of researching and creating art is a continuous cycle for Asunción. They gather as many sources as possible, spending time in the studio to transform raw information into compelling artworks. For instance, their February performance, "BLOODLESS | BLOOD, BONES, ALOHA," will pay homage to Boston's Mobius Artists Group and the colonial history of Hawaii. By mapping out their findings and experimenting with different mediums, Asunción ensures that each project is a thoughtful exploration of the themes they care about. They advise other artists to build supportive communities and prioritize self-care, recognizing the importance of balance in a demanding creative field. Through their work, Asunción exemplifies the power of art to challenge systems, foster dialogue, and inspire change.