Throughout their storied careers, Sammy Hagar and David Lee Roth have maintained a rivalry that has fascinated fans for decades. Their paths crossed when Hagar replaced Roth as the frontman of Van Halen in 1985, setting the stage for an ongoing battle of egos and artistic differences. Despite their shared legacy with the legendary band, the tension between them remained palpable even after they co-headlined the “Song for Song” tour in 2002.
In a candid interview with Rolling Stone, Hagar reflected on the challenges of collaborating with Roth, revealing insights into the backstage battles that unfolded during their joint performances. While both artists brought unique strengths to the table, their divergent approaches often led to conflicts that tested the limits of their professional partnership.
The 2002 tour presented numerous logistical and creative hurdles for Hagar and Roth. According to Hagar, one of the most significant issues arose from Roth’s frequent no-shows, which left fans disappointed and strained the camaraderie between the two performers. On multiple occasions, Roth cited last-minute technical difficulties, such as a broken bus, as reasons for missing his set. In response, Hagar stepped in to ensure the audience received the entertainment they deserved.
This recurring pattern fueled Hagar’s frustration, culminating in moments where he admitted to harboring intense anger toward Roth. “I wanted to break the guy’s f—-’ neck,” Hagar confessed, illustrating the depth of emotion involved in their professional relationship. These behind-the-scenes struggles highlight the delicate balance required when two strong personalities attempt to coexist in the same spotlight.
Despite their tumultuous history, Hagar has not entirely ruled out the possibility of future collaborations with Roth. However, he emphasized that specific conditions would need to align for such a venture to succeed. Chief among these prerequisites is addressing Roth’s tendency to demand excessive attention and resources. “Dave always wants too much,” Hagar remarked, underscoring the importance of equitable treatment in any potential collaboration.
Hagar also criticized Roth’s approach during the 2002 tour, particularly when Roth attempted to upstage him by replicating Van Halen’s classic repertoire. By mimicking Eddie Van Halen’s guitar solos and iconic performances like “Eruption,” Roth inadvertently diminished his own identity as a solo artist. Hagar suggested that Roth should focus more on showcasing his individual talents rather than relying solely on nostalgia to captivate audiences.
Beyond the interpersonal dynamics with Roth, Hagar expressed gratitude for his pre-Van Halen career, which provided him with a solid foundation as a solo artist. Unlike many musicians who struggle to transition from band settings to independent projects, Hagar thrived due to his extensive experience leading Montrose and pursuing successful solo endeavors. “Because even Mick Jagger and people will tell you, being in the biggest rock band in the world and then trying to go solo ain’t the easiest,” he acknowledged, highlighting the rarity of his success.
As Hagar contemplates his future performances, he remains steadfast in his commitment to delivering high-quality music. Recognizing the natural decline in vocal abilities over time, Hagar insists on selecting songs that align with his current capabilities. With a vast catalog of approximately 600 compositions at his disposal, he ensures each performance resonates authentically with his audience. “If I can’t sing the songs, I ain’t going to sing the songs,” he declared, reinforcing his dedication to maintaining artistic integrity.