In a vibrant exploration of postcolonial themes, interdisciplinary artist Sandra Poulson unveils her first museum exhibition at MoMA PS1 in Long Island City. Born in Lisbon and raised in Luanda, Angola, Poulson’s work delves into the lasting impacts of neocolonialism through sculptures and installations that incorporate everyday materials such as brightly colored garments, concrete, soap, dust, and wood. Originally trained in fashion design, Poulson has transitioned from a "practitioner" of fashion to an artist who uses textiles and other mediums to explore deeper cultural narratives. Her exhibition highlights a new installation reflecting on the global circulation of raw goods between Angola, the Netherlands, and beyond, drawing inspiration from significant works by artists like Louise Bourgeois and Nastio Mosquito.

A Glimpse Into Sandra Poulson's Artistic Journey

In the heart of Queens, New York, an emerging voice in contemporary art is making waves. Sandra Poulson, born in 1995—two decades after Angolan independence—has crafted a unique artistic identity rooted in her experiences growing up in Luanda. After studying fashion design in Portugal and Britain, she expanded her creative horizons to include sculpture and installation art. This week marks a pivotal moment in her career with the opening of her debut museum exhibition at MoMA PS1. The showcase features a thought-provoking installation utilizing repurposed furniture and wood, symbolizing the intricate connections between Angola, the Netherlands, and the world. These materials, sourced locally, reflect everyday life in Angola while addressing broader geopolitical issues.

Poulson’s journey began with an early fascination for textile-based art, inspired by Louise Bourgeois’s iconic piece “Legs” (2001). Encountered during her time in London, this encounter redefined her understanding of sculpture. Similarly, Nastio Mosquito’s “Demo da Cracía” (2013) remains a recurring influence, reinforcing her commitment to exploring complex social and historical narratives through innovative artistic expression.

From her roots in Lisbon and Luanda to her current platform at MoMA PS1, Poulson continues to weave together personal history and global context, creating works that resonate deeply with audiences worldwide.

Through her art, Sandra Poulson invites viewers to reconsider the boundaries of medium and meaning, challenging preconceived notions about what constitutes sculpture. Her ability to transform ordinary objects into profound statements underscores the power of art as both reflection and resistance. As we witness the evolution of her practice, it becomes clear that Poulson is not merely documenting history but actively shaping its future narrative—one that acknowledges the complexities of identity and heritage in our interconnected world.

As an observer of Poulson’s work, one cannot help but be inspired by her dedication to uncovering hidden truths within familiar materials. Her approach reminds us that art serves not only as a form of self-expression but also as a bridge connecting diverse cultures and histories. By embracing innovation and tradition, Poulson paves the way for a new generation of artists seeking to redefine their place in the global art landscape.