EXPO Chicago, often overshadowed by other prominent art fairs, stands as a beacon of innovation and resilience within the North American art market. Originating in 1980 as Art Chicago and rebranded in 2012, it has endured financial hurdles thanks to its diverse exhibition opportunities and support for creators rooted in craft and design. During EXPO Art Week, eight exhibitions capture the essence that fuels this fair. Barely Fair, an artist-organized showcase, highlights underappreciated talents through scaled-down booths. Sukaina Kubba’s “Textile Museum” delves into lace’s historical evolution and devaluation. Robell Awake crafts chairs blending Black history with digital symbolism. Damon Locks presents visual art inspired by Black liberation and justice. Huguette Caland’s work celebrates freedom from constraints. Wakaliga Uganda brings community-driven filmmaking to the forefront. The National Museum of Mexican Art explores Chicano iconography through incarcerated artists' paños. Lastly, Monique Meloche marks its 25th anniversary with a retrospective group show.

Barely Fair: A Microcosm of Artistic Innovation

Barely Fair, now in its fifth year, exemplifies how creativity thrives within limitations. Organized by Julius Caesar, this private exhibition features international presenters showcasing their work in miniature booths measuring 20 by 20 inches. This unique format not only draws attention to the resources required to participate in larger events like EXPO but also invites unprecedented imagination from participants. By focusing on overlooked approaches, regions, or attitudes, Barely Fair amplifies voices that might otherwise go unnoticed in the broader art market.

This innovative platform offers a fresh perspective on what constitutes valuable art. Each exhibitor at Barely Fair contributes something distinctive yet underappreciated, challenging traditional notions of worthiness in the art world. For instance, the scale restriction forces artists to rethink presentation strategies, emphasizing quality over quantity. Moreover, it democratizes participation, allowing more creators to showcase their work despite limited resources. As such, Barely Fair serves as both a celebration of artistic diversity and a critique of established barriers in the industry. With 24 exhibitors presenting this year, visitors can expect an engaging experience filled with surprises and discoveries.

Monique Meloche: Celebrating Two Decades of Influence

As Monique Meloche Gallery turns 25, it reflects on its significant impact within the contemporary art scene. Founded by Monique Meloche herself, who transitioned from museum work under Rhona Hoffman's mentorship, the gallery evolved from a home-based operation into a thriving West Town storefront. Known for propelling emerging artists' careers, Meloche's influence extends beyond her own walls through collaborations and participation in major fairs like EXPO Chicago.

The "25!" exhibition commemorates this milestone with a group show highlighting key figures she has championed throughout her career, including Sanford Biggers, Rashid Johnson, and Ebony G. Patterson. This retrospective provides insight into how Meloche cultivated relationships with these artists early in their journeys, contributing significantly to their success. Furthermore, her involvement in EXPO's selection committee underscores her role as a tastemaker shaping future trends in the field. Thus, visiting the gallery during EXPO Art Week offers not only a glimpse into past achievements but also hints at exciting developments ahead for both the gallery and its affiliates.