Jamaican artists from both home and abroad come together in this authentic and moving exhibition. They explore the interconnections of Aliveness to Livity, presenting it as a moment of accomplishment. It is an instant where what has matured in the alchemical athanor undergoes a metamorphosis. Curated by Phillip Thomas, a professor at the prestigious Edna Manley School of Art in Kingston, Jamaica, this exhibition offers a broad spectrum of Jamaican art, giving the audience a true taste of Jamaican aesthetic culture.
Each piece within this exhibition tells a story, reflecting the unique spirit and creativity of Jamaican artists. It is a visual feast that captures the essence of Jamaican life and culture.
Guests are warmly invited to meet the "Jamaica on My Mind" exhibition artists. This is an opportunity to immerse oneself fully in Jamaican culture and heritage through music, dance, and art. With remarks by Oliver Mair, the Jamaican Consul General, and hosted by Tanto Irie of Reggae Runnins on HOT 105, the evening promises to be a vibrant celebration. Musical vibes by Jason Panton & Dub Wise add to the festive atmosphere. Sponsored by Dutch Pot Restaurant, Jamaicans.com, and South Florida Caribbean News, this event is a must-attend.
The cocktail reception provides a unique platform for people to connect with Jamaican art and culture on a personal level. It is a moment to celebrate the diversity and richness of Jamaican heritage.
Join a panel of curators and artists featured in the Black Aliveness and the Aesthetics of Being exhibitions. This panel explores the history of Jamaican contemporary art in political, social, and economic contexts. It involves artists, critics, and scholars who reveal how Jamaican art has evolved over time, expressing both national preoccupations and aspirations.
By examining the maturity of Jamaican artistic ideas and practices, this panel provides valuable insights into the island's unique cultural voice within the wider Diaspora. It is a platform for in-depth discussions and exchanges of ideas.
Curated by Adrienne Von Lates, this exhibition explores the historical, cultural, and spiritual resonance of the color blue in the Black Atlantic diaspora. It offers a unique perspective on the significance of blue in Jamaican and African Diaspora art.
Through a series of artworks and installations, visitors can gain a deeper understanding of the role of blue in shaping Black cultural expression and identity. It is a captivating exploration that adds another layer to the overall artistic experience.
Curated by Professor Yacouba Konate, this exhibition presents snapshots of the Ten North's collections. It articulates the Group's approach to collection, embodying and enacting black memory principles. It serves as a locus of memory, a landmark around which past events structure present memory.
The artworks in this exhibition offer a glimpse into the rich history and cultural heritage of the area. They connect the past with the present, creating a sense of continuity and identity.
Curated by Melissa Hunter, this exhibition focuses on the complex and evolving landscapes of Black communities across Florida. It presents the photography of Johanne Rahaman, shedding light on the unique challenges and experiences of Black communities.
Through the lens of photography, this exhibition raises awareness about the importance of preserving and celebrating Black history and culture. It is a powerful visual statement that resonates with viewers.
Curated by E. H. Malick Ndiaye, this exhibition explores Black resilience and identity in Ky's powerful bronze sculptures. The sculptures serve as a testament to the strength and creativity of Black artists.
Each sculpture tells a story of struggle, hope, and perseverance. They inspire viewers and evoke a sense of pride in Black culture and heritage.
Led by landscape architect James Brazil, this former Veterans of Foreign Wars site becomes a space where past and present experiences fuse. It commemorates Black history through sculptures and installations inspired by banned African American literature.
The sculpture garden is a peaceful and reflective space that invites visitors to connect with the history and culture of the area. It is a testament to the power of art in preserving and celebrating history.
Curated by Alex Van Mecl, Founder of the Opa-locka Preservation Association, this inaugural historical experience offers an in-depth exploration of Opa-locka's near-century-long history and cultural heritage. It takes visitors on a carefully curated journey through the city's unique architectural and social legacy.
The exhibition also examines Opa-locka's military history as a training site for the U.S. Naval and Marine Corps before and during WWII. It provides a comprehensive understanding of the city's past and its significance in American history.
Featuring Dr. Malick Ndiaye in conversation with sculptor Siriki Ky, this panel discusses African and African Diaspora art. It explores how translation, knowledge production, and aesthetic representation inform contemporary cultural policy.
By rethinking how Black artistic creation engages with the global arts landscape, this conversation offers a fresh perspective on Black art's transformative potential. It is a thought-provoking discussion that challenges and inspires.
Ten North Group has a long history of changing communities through social and cultural empowerment. Their work promotes fair access to housing, economic opportunities, and cultural engagement. The Art of Transformation initiative showcases their commitment to supporting Black independence and creating spaces for cultural exchange.
Join us on the Ten North Group campus at various locations such as The ARC – 675 Ali Baba Avenue, Opa-locka, FL 33054; Jamaica On My Mind Pavilion – 650 Ali Baba Avenue, Opa-locka, FL 33054; The Historic Opa-locka Train Station – 490 Ali Baba Avenue, Opa-locka, FL 33054; and The Hurt Building – 490 Opa-locka Boulevard, Opa-locka, FL 33054. RSVP via Eventbrite at Ten North Group (https://tennorthgroup.eventbrite.com) or email at [email protected].