In an unprecedented move, Sharon Van Etten announced the upcoming self-titled album (releasing on February 7th) with her backing crew, the Attachment Theory. This record's lead single, a synth-heavy rock tune, is a true masterpiece. It captures the essence of spontaneous composition, with Van Etten's enchanting vocals gracefully guided by a dance-ready beat and gentle cascades of keyboards. It's a musical journey that takes listeners on a ride through uncharted sonic territories.
The energy and creativity poured into this single are palpable. It showcases Van Etten's ability to blend different musical elements seamlessly, creating a sound that is both unique and captivating. The dance-ready beat adds a dynamic element, while the gentle keyboards provide a soothing backdrop, making it a song that can be enjoyed in various settings.
Idiosyncratic indie-folk tunesmith Will Oldham, also known as Bonnie “Prince” Billy, decided it was time to head to Nashville for his sessions. Working with producer David Ferguson, he crafted the new album “The Purple Bird,” set to be released on January 31st. The first single, “Our Home,” features the legendary bluegrass great Tim O’Brien, who trades verses with Oldham on this rootsy tune.
This song celebrates the fabric of family traditions with its authentic sound. The collaboration between Oldham and O’Brien is a perfect blend of their respective musical styles, resulting in a track that is both nostalgic and contemporary. It showcases Bonnie “Prince” Billy's ability to create music that connects with listeners on a deep emotional level.
Iconic singer-songwriter Lucinda Williams took a bold step by entering the hallowed Abbey Road Studios to record songs of The Beatles. In “Lucinda Williams Sings the Beatles From Abbey Road,” she offers interpretations of a dozen tracks, both classic hits and deep cuts, as part of her “Lu’s Jukebox” series. Her take on “While My Guitar Gently Weeps” is simply stunning.
Even at the age of 71, Williams proves that she remains a relevant and powerful presence in American music. Her interpretation of this Beatles classic showcases her exceptional vocal abilities and her deep understanding of the song's essence. It's a tribute to her artistry and her ability to bring new life to beloved songs.
Versatile indie artist Bartees Strange ventures into the territory of wide-open heartland rock with the charging track “Sober” from his upcoming album “Horror,” set to drop next year. The song has an uplifting arrangement with a high-energy groove and some 80s guitar crunch.
However, Strange gets vulnerable in the lyrics as he sings about leaning on booze during relationship failures. This adds a layer of depth to the song, making it more than just a rock anthem. It's a heartfelt expression of human emotions that resonates with listeners on a personal level.
Originally formed as a musical troupe to support San Diego jazz musician DJ Greyboy, the Greyboy Allstars have achieved an illustrious 30-year career and have become true all-stars in their own right. Their latest release, the eighth studio album “Grab Bag; 2007-2023,” is a collection of nine previously unreleased tracks from the latter half of the band's career.
“Slip the Grip” is a pure jazzy soul track with Robert Walter's organ and Karl Denson's saxophone wrestling over a delicious funk groove. It showcases the band's exceptional musicianship and their ability to create music that is both soulful and groovy.
Musicians in New Orleans are often influenced by the cultural collisions happening in the Crescent City, and this is evident in the offerings on “Someone’s Monster,” the latest release from Loose Cattle. “The Shoals,” featuring a guest spot from Drive-By Truckers frontman Patterson Hood, leans towards garage rock with its gritty guitar and fiddle supporting Kimberly Kaye's haunting vocals.
The combination of different musical styles creates a unique sound that is both raw and captivating. It showcases Loose Cattle's ability to blend different genres and create something truly special.
Denison Witmer gets an assist from Sufjan Stevens in this pastoral folk song, “Older and Free,” which celebrates the freedom of escaping the burnout of day-to-day responsibilities. Witmer wrote the song after a hike in Pennsylvania's French Creek State, and it's filled with idyllic imagery that perfectly suits the airy acoustic arrangement.
Stevens, who produced the track, adds his patented gentle-voices harmonies to the sweeping chorus, enhancing the song's emotional impact. It's a beautiful collaboration that showcases the best of both artists' talents.
The creation of an album often requires tough decisions, and great songs sometimes end up on the cutting room floor. This was the case with John R. Miller's critically acclaimed release “Heat Comes Down” last year. However, a year later, he is releasing two tracks, “Outset of the Breeze” and “Garden of Fools,” via a seven-inch vinyl single.
“Garden of Fools” is another stellar offering from Miller, and fans of the songwriter will be delighted to have this song see the light of day. It showcases his songwriting skills and his ability to create music that touches the hearts of listeners.