Throughout the upcoming season, Northrop will host a series of performances that pay homage to iconic figures in American art and music. The season opens with a collaborative tribute to Robert Rauschenberg by the Trisha Brown Dance Company and Merce Cunningham Trust, featuring works designed by Rauschenberg himself. Later, the venue welcomes an all-male drag troupe known for its satirical take on classical ballet, as well as holiday-themed organ music from Greg Zelek. This diverse lineup continues into the new year with celebrations marking significant anniversaries and premieres.

The Martha Graham Dance Company commemorates its centennial alongside the 250th anniversary of the Declaration of Independence, presenting works that explore the essence of American identity. VocalEssence’s annual “Witness” program celebrates African American contributions through world premieres, while Joffrey Ballet honors its legacy with a tribute to its founders and other dance legends. These performances promise to captivate audiences with their unique blend of tradition and innovation.

Paying Homage to Artistic Pioneers

Northrop kicks off the season with a double bill honoring the visionary artist Robert Rauschenberg. Two distinct pieces highlight his influence on choreography and design. Trisha Brown's "Set and Reset," accompanied by Laurie Anderson's music, showcases innovative movement and visual elements. Meanwhile, Merce Cunningham's "Travelogue" features John Cage's compositions, further emphasizing the interplay between sound and motion. Together, these works celebrate Rauschenberg's enduring impact on contemporary performance arts.

This opening event not only reflects the collaborative spirit between the Walker Art Center and Northrop but also underscores the importance of interdisciplinary approaches in modern dance. By integrating Rauschenberg's designs, both companies create a dialogue between visual and performing arts. The result is a dynamic presentation that challenges traditional boundaries within the field. Additionally, this tribute serves as a reminder of how artists from different disciplines can inspire one another, fostering creativity across generations. As such, it sets the tone for a season dedicated to exploring connections between past and present artistic practices.

Exploring Identity Through Movement

In February, the Martha Graham Dance Company returns to Northrop for a special program celebrating dual milestones: its own centennial and the 250th anniversary of the Declaration of Independence. Their repertoire includes classic pieces like "Appalachian Spring," set to Aaron Copland's score, which captures themes of hope and resilience. Alongside this timeless work, they introduce new creations by emerging choreographers such as Jamar Roberts and Hope Boykin, who address contemporary issues surrounding American identity through their artistry.

These performances delve deeply into questions about what it means to be an American today, blending historical context with modern perspectives. For instance, Roberts' "We the People" incorporates Rhiannon Giddens' banjo-driven melodies to challenge viewers' understanding of national narratives. Similarly, Boykin's contribution explores similar ideas through her distinctive voice. Furthermore, VocalEssence extends this exploration beyond dance into vocal music with its "Witness" series, highlighting African American influences throughout history. Together, these events form a cohesive narrative about cultural evolution and self-expression in America.