



Filmmaker Tom Fassaert, having previously explored his family's complex history in "A Family Affair," returns to personal storytelling with his new documentary, "Between Brothers." This latest work, premiering at the Rotterdam Film Festival, captures the evolving relationship between his father, Rob, and Rob's elder brother, René, both now in their seventies. What began as a traditional narrative enriched with archival footage transforms into a poignant road trip as the brothers embark on a quest to uncover the secrets surrounding their childhood and their time in an orphanage. The film promises a deep dive into sibling bonds, past trauma, and the pursuit of understanding.
Fassaert acknowledges the significant emotional and philosophical challenges inherent in creating such an intimate project, particularly after experiencing the impact of his previous family-focused film. He discusses the ethical responsibilities of a documentarian, especially when the subjects are close relatives, emphasizing the power of the camera to shape perception. The director reveals that René, who previously had limited contact with his psychologist father, becomes a central figure, driving the narrative as the brothers navigate their shared history and confront long-held family mysteries. The process of filmmaking also coincided with Fassaert becoming a father himself, adding another layer of personal reflection to the project.
The film ingeniously incorporates humor as a coping mechanism for the brothers' bickering and the weight of their past, offering moments of levity amidst profound revelations. Having made two deeply personal films, Fassaert hints at a potential third installment, envisioning a triptych of family narratives, further exploring the themes of legacy, trauma, and connection. He also touches upon the evolving landscape of documentary filmmaking, expressing confidence in the continued audience demand for authentic storytelling despite industry challenges posed by streaming platforms. "Between Brothers" is a co-production of Een van de Jongens and Clin d’Oeil Films, with Bantam Film handling Dutch distribution and Een van de Jongens managing global sales.
This film is a testament to the enduring power of family narratives and the courageous vulnerability of artists who dare to turn the lens inward, inviting us to reflect on our own family ties, the stories we inherit, and the truths we seek.
