In recent years, a specific genre of film has captured the imagination of online audiences. These so-called "internet films" often feature an unexpected musical choice, a boundary-pushing intimate scene, and an emerging heartthrob. Halina Reijn’s Babygirl is one such film that has garnered significant attention in 2026. The movie follows Romy, a powerful CEO in her late fifties, and Samuel, her much younger intern, as they navigate a complex and unconventional relationship. While the film offers visually striking moments and compelling performances, it leaves many questions unanswered, making it both engaging and frustrating for viewers.

Babygirl delves into the world of power dynamics and self-discovery through its central characters. Romy, portrayed by Nicole Kidman, is a high-achieving CEO who embarks on an affair with Samuel, played by Harris Dickinson. Their relationship is marked by exploration and experimentation, particularly in terms of dominance and submission. The film captures the rawness and uncertainty of their interactions, as both characters tentatively explore new aspects of their sexuality. For instance, there’s a pivotal moment where Samuel hesitantly commands Romy to kneel, and her hesitant response reflects the uncharted territory they are traversing together. This vulnerability adds depth to their evolving connection, making it both intriguing and emotionally resonant.

However, despite its provocative premise, Babygirl struggles to delve deeply into the themes it introduces. It touches upon several important topics—such as the intersection of public and private personas, the complexities of power, and the desire for something beyond conventional love—but ultimately leaves these threads unresolved. The film seems to flirt with profound commentary but never fully commits to exploring any single idea in depth. This can be seen as either a strength or a weakness, depending on what the viewer seeks from the experience. Some may appreciate the film’s willingness to leave things open-ended, while others might find it lacking in substance.

Regardless of its narrative shortcomings, Babygirl excels in its visual and atmospheric elements. The cinematography is stunning, with rich colors and striking visuals that enhance the film’s mood. From the sleek blues and deep reds of the urban landscape to the intimate scenes bathed in warm, ambient lighting, every frame feels meticulously crafted. Nicole Kidman’s presence adds another layer of intrigue, especially in scenes that juxtapose her professional demeanor with more vulnerable moments. The film’s ability to blend humor with intensity makes it an entertaining watch, even if it doesn’t provide all the answers.

In essence, Babygirl offers a captivating glimpse into the lives of two individuals navigating uncharted emotional and physical territories. While it may not fully resolve the themes it introduces, the film’s vibrant visuals and strong performances make it a memorable viewing experience. Whether you find it satisfying or unsatisfying likely depends on your expectations, but there’s no denying its ability to captivate and entertain.