The runway debut was nothing short of theatrical, with a striking red velvet cape-gown emblazoned with colorful blotches and the word 'PRETENSION' setting the tone. This was swiftly followed by a parade of models donning translucent sleeveless tops and mini skirts crafted from repurposed polo shirts. The collection's pieces, characterized by their hasty yet deliberate assembly, conveyed a sense of urgency and spontaneity that was palpable throughout the venue.
Alix Higgins' intention was clear; he sought to encapsulate the frenetic pace of the collection's inception. The pre-collection, unveiled earlier in the year, laid the groundwork for this rapid and energetic resort collection. The garments, with their raw edges and reconstructed silhouettes, were a physical manifestation of the designer's vision of relentless momentum and unrefined creativity.
The collection continued to captivate with its use of bold prints that intertwined color with text in a manner that was unmistakably Higgins. The strategic placement of words created a visual language that was both random and meticulously planned. A standout piece was a white tank adorned with what appeared to be simple polka dots, which upon closer inspection, were revealed to be the designer's own thumbprints, interspersed with the words 'electricity' and 'sometimes'.
Another highlight was a shell top, its fabric a canvas for vibrant strokes of yellow and lilac, with the word 'crush' emblazoned across it. The collection's use of text was not merely decorative; it was a conduit for emotion, with each word carefully chosen to evoke a vivid image or sentiment.
Despite the collection's bold statements, there was an underlying tone of introspection. The words adorning the garments were more than just shouts; they were the whispers of a deeper narrative. Higgins himself acknowledged the poetic and emotional core of his work, aiming to use language as a direct and evocative tool, capable of conveying layered meanings.
The garments spoke volumes, with a black turtleneck sweater featuring the words 'tulips, roses' in a striking red intarsia, suggesting a story beneath the surface. The designer's ability to weave emotion into the fabric of his creations set the collection apart, making it a poignant commentary on the human experience.
The collection also showcased a series of woven pieces that were as innovative as they were stylish. A nylon jacket and matching trousers, modeled by an older individual, exuded a sense of ease and sophistication, further accentuated by a delicately scalloped lace scarf. The pairing was a testament to Higgins' skill in creating versatile and wearable art.
Another ensemble that caught the eye was an oversized gray plaid blazer coupled with glossy navy trousers. The silhouette was a clear indication of the direction Higgins could take in future collections, blending classic elements with a modern twist.
The collection's narrative concluded with a romantic flourish, featuring a floral print that was more than it seemed. The design, originating from an iPhone snapshot of wallpaper in the designer's temporary residence, was a nod to the personal and the ephemeral, tying the collection back to the intimate and transient nature of fashion.
The print served as a reminder of the collection's roots in personal storytelling and the beauty found in the everyday, making it a fitting finale to a show that celebrated the fusion of innovation, emotion, and design.